You summoned me? Ok, actually, you gotta say it three times to perform a full invoke, but by then I'm obligated to respond. I'm rattling this off kinda quickly, so I apologize in advance for any grammatical snafus.
Here's the scoop for music software.
Dr. Tall wants something to make music with. Pro Tools ( (url="http://"http://www.digidesign.com")http://www.digidesign.com(/url) ) can't do this. Pro Tools is EDITING software. Just like iMovie won't make video footage for you, Pro Tools can't make audio material for you. If you've got a guitar, microphone, or other noisemaking devices, and want to record, edit, and tweak that, Pro Tools is what you want, nothing else can hold a candle to it.
If you want something to make music with, well, things start getting a little wierd there. I've been playing around with Player Pro ( (url="http://"http://www.quadmation.com/pphome.htm")http://www.quadmation.com/pphome.htm(/url) ) while writing up my Brief Guide to Music Theory (about half finished, currently on Gluebubble's hotline server), and it's actually imporved quite a bit since the last time I used it. Player Pro uses what is referred to as a "tracker" interface, which was one of the first methods of creating music on a computer, without extra equipment.
I can't diss the tracker interface too much because it's what I learned on.
Trackers will let take a sample of something, let's say a piano, and map it to a note range. Then you can play that sample back at different speeds to approximate different pitches (same principle as altering tape speed), and you specify them as notes on a standard Chromatic Scale. If you're creative in how you use samples, you can actually accomplish quite a bit with a tracker.
If you've got more money and don't want to deal with certain limitations inherent in the tracker interface, you can get an actual hardware sampler, a full-blown professional sequencer, and add lots of complex effects and non-instrument-based audio, such as vocals. Of course, all this stuff will run you at LEAST a thousand bucks.
For your average Coldstoner, Player Pro is probably the way to go. It's being carbonized for OS X, which is more than I can say for half of the audio software I use. It's completely self-contained, so you don't have to mess with OMS, a MIDI interface, SYSEX dumps, and other fun aspects of making music with lots of different pieces of equipment. After you register, you can save your music as AIFF, prime for encoding to MP3. Heck, if you don't want to hunt down samples, you can also use the Quicktime GM synth, too.
Unfortunately, the documentation for PP kinda sucks, but that's life. If you've got either a PC or Virtual PC and some patience, you can try out MadTracker ( (url="http://"http://madtracker.i4music.net/madtracker/")http://madtracker.i4...net/madtracker/(/url) , not to be confused with PP's .MADx format), which is IMO one of the better trackers out there, and inexpensive to boot.
that's the basics at any rate.
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People who claim the sky is falling obviously aren't aware the earth is falling, too.
(This message has been edited by sanehatter (edited 02-22-2001).)